In The Blood - 2011

Recorded at Noonah Studios in Sunbury, Vic. Mixed and mastered at Cloud Studios in Wyong, this long overdue album contains my latest originals, and, in contrast to my other recordings, songs written by artists who have inspired me over the years.

"Phil Edgeley's album - In the Blood, is one of the best I have heard in years, a true artist and exceptional all round entertainer"
David Churchill – Churchill Guitars

read review....

Tracks:

Broke Down Engine
Strength in You
Beeswing
Can't Fight Time *
Girl of the North Country
Souls at War
All the King's Horses
Gallows Pole *
Dehlia
Screaming on the Inside
Fix it Up
Make a Change
Living with the Law

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Tracks:

Doin’ Me Wrong *
Troubled Mind
Price I Pay *
Lowlife
Life’s For Living
I Don’t Stop *
True Love
Mind Of My Own
It could Be Me
Karma

This Life - 2005

Recorded at RAMROD studio in Sydney. Featuring Paul Rutter on fretless bass and Tony Keep on drums to compliment Phil's passionate guitar playing and vocals, this CD is raw, earthy and real with songs that make you think as well as tap your feet to. The freshness and honesty of Phil's original songs makes for compelling listening. Have a listen to the samples below.

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CD Review of "Then and Now"

Phil is an ex-pat Pom who’s been living for some years in the Newcastle (NSW) area. I’d seen his name on various festival lineups (Newcastle, Berry) but I’d never listened to him till now. My loss, because boy, he sure makes some beautiful music.
It took me a couple of listens to tune into what I was hearing because to my ears, Phil’s songwriting features unusual structures, intonation and phrasing (I know what I mean). And he has an interesting voice – a sort of mix of Paul Kelly, Sime Nugent and JJ Cale.
Underpinning it all is his very nice playing of a range of resonators and acoustic guitars (6 string, 12 string, baritone tricone, Weissenborn, National Resorocket). There is some very sweet stuff  happening here. Very like Jeff Lang, perhaps without the flashy stuff.
He’s helped out by Roni Francois (bass, drums, piano, percussion), Michael King (electric guitars), Christian Marsh (harp), Paul Rutter (fretless bass), and Murray Campbell (djembe, Moroccan talking drum, Rain Stick) and they all provide a very tasteful accompaniment and solos without overshadowing Phil and his guitar. It’s a very nicely mixed album – a lovely rich sound that really rewards careful listening. It’s not an album to be listened to in  my car – the road noise covers up too much good stuff. Put it on in a quiet moment and sit back and listen – it’s well worth the effort.
Phil’s storytelling and sweet playing is perfectly showcased in beautiful tracks like It Could Be Me, Price I Pay, Troubled Mind and I Don’t Stop. Songs of life, loss, and despair, all written by Phil and al beautifully presented.
The next time this guy plays The Tea Club in Nowra I’ll be there.
Gary deWall - SYDNEY BLUES SOCIETY

CD Review of "In the Blood"

Born in the UK, Phil Edgeley now calls Ettalong Beach, NSW, Australia home. Looking out of my window at the snow falling and the slush rapidly freezing, I can’t help but feel a little jealous; though listening to “In The Blood” it’s obvious the sunshine suits his music. He plays a form of acoustic blues, which accommodates an overt folk influence. Indeed, an early highlight of the set is his cover of Richard Thompson’s “Beeswing” and his take on Dylan’s “Girl of the North Country” is just as effective.
As good as the covers are, original material dominates the album, and Edgeley’s a smart songwriter with tales to tell. Opener “Broke Down Engine” takes inspiration from the Blind Willie McTell song, “Strength in You” utilizes powerful imagery and “Can't Fight Time” tells a basic truth with wit and charm without pulling any punches. It’s an album that flows beautifully, and takes inspiration from artists such as Chris Smither, Martin Simpson and Chris Whitley, and that’s good company to keep.
“In The Blood” is Edgeley's first collection of new material since 2007’s “Then And Now”, and there’s a palpable excitement present in the whole album's enthusiastic execution. It’s catching, and as a new convert to Edgeley and his songs, I hope I wont have to wait too long before he finds his way into the studio again.
Phil S. - Leicester Bangs (U.K.)